(f)art

tag:blogger.com,1999:blog-27216176183329534332012-02-17T00:58:03.845+13:00(f)artjuliahttp://www.blogger.com/profile/14199384034658329555noreply@blogger.comBlogger61100tag:blogger.com,1999:blog-2721617618332953433.post-51367226382925386432009-12-26T16:08:00.001+13:002009-12-26T16:10:47.420+13:00(no subject)

type · writer

juliahttp://www.blogger.com/profile/14199384034658329555noreply@blogger.com0tag:blogger.com,1999:blog-2721617618332953433.post-18637983512004636442009-09-17T21:36:00.001+12:002009-09-17T21:52:31.927+12:00up to date.

juliahttp://www.blogger.com/profile/14199384034658329555noreply@blogger.com0tag:blogger.com,1999:blog-2721617618332953433.post-20359537446634244112009-09-08T19:50:00.001+12:002009-09-08T19:52:22.210+12:00作品簡介

2005年2005年我的作品著重在對於不同紋路與線條的觀察。我從日常生活取題, 通常是線條複雜的物品, 像是傢俱或文具用品。素描的方法也有所改變。從傳統的鉛筆素描到嘗試用奇異筆塗鴉和墨彩等來畫出物品在日常生活中不會被看到的另一種感覺。素描完成後再以影印還有部份切割來嘗試創造不同的形狀和線條。之後再用這些主素材製作絹印版畫, 抽象的表現出日常生活物品的特質。2006年我認為語言是一套人與人溝通的密碼, 它是一個規律的的系統運作方式。這一年的主題對我來說是對我個人背景的探討。因為有兩種不同文化背景, 這對我來說是獨特但矛盾的。我選擇英文字母和私人蒐集的東西當作2006年的創作題材, 想表現的是兩種文化的不平衡。被部份切割的字母和折不起的紙盒平面圖有乍看之下熟悉卻無法解讀的感覺, 蒐集的家人來信和信封是我與另一個文化的唯一聯繫。我希望創造出關於我的作品。2007年我繼續發展2006

juliahttp://www.blogger.com/profile/14199384034658329555noreply@blogger.com0tag:blogger.com,1999:blog-2721617618332953433.post-66259305052403387612009-05-24T19:05:00.020+12:002009-11-24T01:27:25.862+13:00Nicht_Hier

2005My practice in 2005 was focused on drawing, mark-making and experimentation with different methods to achieve textures and surfaces. The result was a series of drawn imagery being photo-released (photocopy transfer) and screenprinted to produce abstract representations from life sketches.Silkscreen prints, A1.Cardboard SeriesThis series of prints was to experiment with combinations of marks,

juliahttp://www.blogger.com/profile/14199384034658329555noreply@blogger.com1tag:blogger.com,1999:blog-2721617618332953433.post-42138848993253777432008-09-23T23:52:00.002+12:002009-08-11T22:10:15.642+12:001/100 Lithography

This is a continuing project from One in One Hundred.I wanted to use the most difficult printmaking process to express the same idea.Lithography relies on the nature of limestone chemically reacting with nitric acid (mixed with gum arabic to become the etching solution) to fixate the image onto the stone for printing.This is actually my third attempt in etching my image.The first etch went

juliahttp://www.blogger.com/profile/14199384034658329555noreply@blogger.com1tag:blogger.com,1999:blog-2721617618332953433.post-62202596664653451162008-09-23T21:04:00.001+12:002009-08-11T22:10:15.644+12:00Documentation of One in One Hundred

First project I made about the numbering system used in printed works.A body of one hundred prints. Each work is screenprinted on 50 x 50cm sized brown wrapping paper.The number normally exists on the bottom-right corner of a print. It is to indicate the order each print that was produced in the process. I took the number onto the centre page. The number had always functioned as an indication of

juliahttp://www.blogger.com/profile/14199384034658329555noreply@blogger.com1